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Edge of Glory: The Inside Story of the Quest for Figure Skating's Olympic Gold Medals, by Christine Brennan
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Amazon.com Review
The author of Inside Edge updates the behind-the-scenes saga of professional figure skating to include the results of the 1998 Olympics in Nagano, Japan. Beginning with the 1997 U.S. championships in Nashville, Brennan chronicles the ambitions, achievements, frustrations, and personal hurdles for the American skaters in a pivotal year that culminated with the Olympics. The year's drama is palpable, including highlights such as the competition between the two top-rated women, Michelle Kwan and Tara Lipinski, along with the ever-increasing athleticism of the men. Along the way Brennan makes detours to check up on recent favorites from the past such as Tonya Harding, Nancy Kerrigan, Oksana Baiul, Brian Boitano, and Scott Hamilton. And always rinkside are the stories of coaches, choreographers, parents, and fans who have transformed figure skating into one of the world's fastest-growing professional sports.
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From Library Journal
From an ABC/ESPN sports reporter, this espose will include 1998 Olympic results.Copyright 1997 Reed Business Information, Inc.
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Product details
Hardcover: 416 pages
Publisher: Scribner (April 6, 1998)
Language: English
ISBN-10: 0684841282
ISBN-13: 978-0684841281
Product Dimensions:
6.5 x 1.5 x 10 inches
Shipping Weight: 1.6 pounds (View shipping rates and policies)
Average Customer Review:
3.5 out of 5 stars
17 customer reviews
Amazon Best Sellers Rank:
#1,617,270 in Books (See Top 100 in Books)
This is an older book, but so good. If you love ice skating, you'll love this book. Very well written, it pulls you in and you can't put it down. Not a boring part in it, all fascinating .Gotta be a fan, though or you won't enjoy it.
While the author does an excellent job of portraying the sport of amateur figure skating's "darker" side, it comes across as a bit too gratuitously scandalous in many parts.The few key things I did take away from this book were that:1. Tara Lipinksi and her clan were clearly not liked by the author, as almost the whole book focused on her and her mother's tantrums, plots to dethrone Michelle Kwan, and to win a gold medal at the '98 Olympics (and the associated ca$h compensation)2. There is so much more to figure skating than most of the world sees, as most of the world doesn't track the comings and goings of figure skatings biggest competitors in non-Olympic years.3. Tara [messed] up bigtime by going Pro - when was the last time you saw/heard from her?4. I prefer gold medalists who are humbled by their achievements and who continue to grow and develop, both as athletes and ambassadors of the sport.. not people who use their medals as coupons to redeem for a life of quick cash and an even quicker disappearance.That Michelle Kwan is the most enduring ladies' competitor in decades goes without saying - though the author seemed to feel she had to prove it - but Michelle has done that herself. If this tale of the road to the '98 Olympics shows anything, is that while drama and rivalry (and questionable judging) dominate the sport, it's the same drama and rivalry that makes figure skating so compelling to watch from a fan's perspective.
If you've always wondered what really goes on behind the scenes at international skating competitions, you won't be able to put this book down. Especially fascinating is the material about Tara Lipinski and family, but many, many other personalities are covered. EDGE OF GLORY is a page turner without being cheap or tawdry. It's suprisingly well-written and thorough. I recommend it!
High point: Brennan captures the breathless anticipation and nail-biting stress of the 1998 Olympic figure skating season. I was captivated 19 years later.She gives background information that is too often ignored by the international press, and fleshes out other details, such as the poor training conditions and often appalling living conditions of Russian skaters.Low points: Brennan's personal opinions of individual skaters leaks through.The scoring system in place at that time can be baffling to people who don't skate or coach, but every competition event shouldn't be held up to suspicion just because she herself doesn't understand it. Most judges are happy to explain why they gave out a particular mark if they're approached and asked.Her contemptuous referrals to certain skaters, such as Elena Berezhnaya as "Skate in the Head." I'm a skater and I never heard ANYONE in either the sport or the press use this term. Most people were sympathetic to what she had been through.Her constant reference to Janet Lynn as a skater who was "robbed" of her chance at the gold medal in the 1972 Sapporo Games. Yes, Lynn was a fabulous skater.....but the scoring system at that time placed a greater emphasis on compulsory school figures. Lynn wasn't "robbed" at all. She was given fair marks for her time.Brennan's ire about Janet's allegedly overlooked skills makes even less sense when she seems to sympathize with coaches and judges who who rail against the emphasis on jumping and technical difficulty in free skating and the ISU's final scrapping of compulsory school figures. What actually happened: compulsory school figures teach good edges, but do nothing to enhance a skater's ability to jump, spin or execute dance moves. There were 41 compulsory figures, all based on the figure 8. They were comprised of a series of circles and turns that had to be skated six times in succession on each foot. The judges then examined the tracings left on the ice to determine whether or not the skater used the right edges and whether their tracings were precise and on line with their other tracings. This has NOTHING to do with jumps, spins or dance elements.Skaters such as Janet Lynn, Midori Ito and many, many other talented freestyle skaters were kept off the podium by compulsory figures. The compulsory figure segment of the competition comprised 60% of the skater's total score until 1972, when outcry over the 1972 Olympics (where Lynn DID place below gold medalist Trixie Schuba, who finished seventh in free skating but took the lead with her figures), when their value was lowered to 30% and the short program was added. This didn't stop the arguments over their value. The USFSA and Britain, who favored figures because so many American and British skaters excelled at school figures, opposed the abandonment of figures, even when it was pointed out that Pair skaters and dance teams, who were not required to compete in compulsory school figures, managed to learn to jump and spin and dance quite well without them. If figures mean so much to Brennan, then she shouldn't have continually held Janet Lynn up as a skater who was unjustly scored.The age of Olympic-eligible skaters, which was changed to 16, although Tara Lipinski was grandfathered in: this rule WAS, as Brennan says, instituted in order to protect young skater's bodies from the trauma of high-level moves. Tara herself was a victim of such an injury, a hip injury probably caused by her trademark triple loop-triple loop combination. HOWEVER: the young skaters are doing these moves anyway in practice sessions. The age rule is of questionable value to its intended purpose.The Lipinski/Kwan rivalry: Before I continue, I'm a devout fan of Michelle Kwan. She is a true champion in every sense of the word, modest in victory and gracious in defeat, and a perfect ambassador for her sport. Since when did are Olympic silver medalist losers? Kwan was certainly disappointed not to win the gold medal, but, as she herself says, "I didn't lose the gold. I won the silver." Unfortunately her choreographer picked an obscure piece of rather bland music for Michelle that year, and didn't add enough difficulty to the choreography. Michelle can land all the jumps, and has completed triple-triple combos throughout her career. Lori Nichol is a gifted choreographer, but she did Michelle a disservice with that program. It wasn't all that interesting and didn't hold up to Tara's vibrant exuberance. I do agree that the USFSA, especially, did some fawning over Michelle that didn't benefit either competitor. If those skaters' programs were judged under the current system, Tara would still win.Elvis Stojko: Elvis was more athletic than artistic, but the marks he got for his programs in the years he won the world championships make her allegations ridiculous and her criticism of his body and build are often just plain cruel. This brand of "journalism" benefits no one.I liked this book for the most part, but Brennan seems to try to dig up dirt where there wasn't any, and her attempts to get into the skater's heads was ludicrous at times. Why not ask those skaters and quote them?This is an interesting cover of this historic and memorable skating season, so skating fans and the public will indeed enjoy it.
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