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Sabtu, 26 November 2011

Ebook , by Earl Boebert

Ebook , by Earl Boebert

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Ebook , by Earl Boebert

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, by Earl Boebert

Product details

File Size: 6535 KB

Print Length: 295 pages

Publisher: Harvard University Press (September 6, 2016)

Publication Date: September 6, 2016

Sold by: Amazon Digital Services LLC

Language: English

ASIN: B01INP11J2

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Confronted with the snarl of conflicting, contradictory and missing information that is the Deepwater Horizon, Boebert and Blossom wade in with sieves and scales, and after much sorting and weighing, make as much sense of it as anyone is ever likely to.As you read Deepwater Horizon, many accounts written as the disaster was unfolding or in its immediate aftermath suddenly snap into focus, their implications finally clear. 'My God,' you find yourself saying again and again, 'so that is what that was all about.'Boebert and Blossom lay out their terms in an introductory chapter. They are going to discuss the Deepwater Horizon as a "system," they say, a system so complex that no one individual or entity truly understood it. They will not be looking for a root cause of the disaster. Rather, they say, the blowout was a result of a combination of decisions, actions and component attributes rather than the result of a single act or failure.Moreover, they are going to be taking a "scholarly" rather than a "judicial" approach to the evidence, since their goal is to understand, rather than to place blame. For this reason, none of the actors is named, even when they are as easily identifiable as the chief executive of British Petroleum at the time of the disaster.Remarkably--given these and other narrative (or anti-narrative) decisions--Deepwater Horizon is an engaging and ultimately gripping read, at first illuminating and then impossible to put it down, even if you do have to go to work the next day.To me one of the most fascinating elements of this story is how little information the crew on the rig actually had about what was happening more than a mile beneath them at the bottom of a hole in the ocean floor. The authors explain that, as far as physics is concerned, the well is essentially a big U-shaped tube stuffed with heavy drilling mud to prevent lighter hydrocarbons from rising to the surface prematurely. The crew monitored the hidden state of the well by comparing the amount of mud they were pushing down to the amount coming back up.So mud is the ground truth, the ultimate finger on the pulse of the well. But during the procedure that led to the blowout--a crucial test of the integrity of the cement seal at the bottom of the well--the mud loggers couldn't, or thought they couldn't, monitor the volume of mud in the storage pits because other crew members were moving the mud from storage pit to pit before transferring it overboard.What's worse, nobody did the predictive well-control calculations that would have showed the procedure they were undertaking would bring the well close to the edge; the point where the push of the mud would be unable to oppose the shove of the hydrocarbons. Nobody, in other words, was saying I'm not going to do something I don't understand, and everyone was just following orders in the belief that someone else understood.Boebert and Blossom are right to insist are no heroes and no villains in this tragedy. Nobody quit his job to prevent the disaster but nobody acted maliciously either. But everyone who has ever worked in a large organization will recognize two 'types' in the story: those who know what they are doing and those who don't.The person you hope is sitting next to you is a senior guy with a lot of experience, "the ability to draw conclusions from incomplete and conflicting information" and "the moral fiber to act." A few of them turn up in Deepwater Horizon, asking inconvenient questions and refusing to proceed until conditions are met (we've all been in that meeting, silently cheering them on). But the system rolls over them: They are bypassed, or don't have the authority, or are given the day off.In any case they are vastly outnumbered by the other guys, the ones who don't care or don't care enough, who are just doing a job, just trying to get by. There's the vendor's rep who was known for 'just in time delivery' of test results, thereby depriving other people of the time to think them through; or the guy who created a design document consisting of lots of canned output by pushing the "generate report" button on the computer. We've all worked with people like this. silently fixed the broken things they leave in their wakes and fervently hoped never to work with them again.What matters in the end, however, what saves the reader and comforts her, despite her smoldering anger at the stupidity of it all, is the narrative voice: the calm, thorough, persistent, intelligent voice of the authors and their unstated code of respect for competence, for intellectual honesty, and for taking responsibility.To some extent what happened on the Deepwater Horizon was technology specific. For a science writer like me, one of the pleasures of this book is clarity of the descriptions of deep-water drilling technology, the many technical illustrations, and the appendices on topics such as cementing mechanisms or low returns during displacement. It's not really possible to understand what happened without getting into the details.On the other hand, the Deepwater Horizon is also a type, or exemplar, of the many sporadically lethal "systems" that are part of our lives today-- such as the U.S. heath-care system, the Internet, the U.S. government, and the global climate system--all of which we seem hell-bent on running close to the edge.We would all be better off is more of us thought, when we were under pressure to go forward assuming the best, that one day someone might write a book like this one about what we were doing.

Accidents in complex systems often have root causes that stem from organizational or even cultural problems. This analysis of the Deepwater Horizon disaster steps back to examine the context for this "emergent event". The details of rig operations and onboard decision-making ring true from my limited experiences, but more importantly, the generalities of disorganization, miscommunication, and human psychology are applicable to systems far beyond the oil industry.

While the book itself is commendable, the KINDLE presentation is awkward. The only suggestion for the authors is that a page or so with the frequently used abbreviations would be helpful. Otherwise the book was quite well done.

I'm not an engineer, but have some oil and gas litigation background. Ordered this after watching the film. With a few reread sections and occasional reference to the web, I was able to get through it. Well sourced with many further references if you wish to dive deeper

Best technical Explanation of what went on, & excellent description of oil well construction that I have found.I would recommend this book to all who want to gain a Knowledge of oil wells, & deep Ocean exploration.This is an all in one book.Louie

The authors of this book do a fine job of explaining exactly what went wrong with the Deepwater Horizon. It's easy to read and understand, and I found it to be fascinating. They apply a thorough, rigorous approach to analysing every single factor that led to the Macondo well blowout and subsequent destruction of the Deepwater Horizon rig. As with most things on life, things were not as simple as they seemed, and the causes of the accident were numerous. I thought the authors did a really fantastic job and the book was worth the high price. I read it on the Kindle and the diagrams were easily readable.

Not an entertaining book. It read like a documentary. Mom

I'm used to reading science fiction and fantasy, so this book is reading more like a text book, at least to me. I know the author is the reason for the purchase. It is interesting reading, some of the facts mentioned, I don't recall being mentioned by the news during the actual event.

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Minggu, 13 November 2011

Free PDF Women Building History: Public Art at the 1893 Columbian Exposition

Free PDF Women Building History: Public Art at the 1893 Columbian Exposition

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Women Building History: Public Art at the 1893 Columbian Exposition


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Women Building History: Public Art at the 1893 Columbian Exposition

Review

“Corn does an expert job. . . . Highly recommended.” (JW Stamper Choice 2011-09-02)“Corn produces a convincingly argued work that offers a fresh reading of art created by women for the Fair.” (Art Libraries Society Of North America 2012-07-26)“Excellent. . . . Corn’s artfully argued monograph is a landmark contribution to American cultural studies.” (Women’s Art Journal 2012-06-01)"Offers valuable insight into the art of the fair and the criticism it generated. . . . This should be essential reading." (Abigail Markwyn Journal of American History 2013-06-01)

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"An erudite and spirited exploration of the Woman's Building at the 1893 Chicago fair and the unique opportunity it afforded American women to make public art, Wanda Corn's fully contextualized account is a critically important contribution to the ongoing and still crucial effort to rebuild and reclaim women's history."―Norma Broude, author of Impressionism, A Feminist Reading: The Gendering of Art, Science, and Nature in the Nineteenth Century

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Product details

Hardcover: 280 pages

Publisher: University of California Press; First edition (March 8, 2011)

Language: English

ISBN-10: 0520241118

ISBN-13: 978-0520241114

Product Dimensions:

8 x 1 x 10 inches

Shipping Weight: 2.3 pounds (View shipping rates and policies)

Average Customer Review:

5.0 out of 5 stars

2 customer reviews

Amazon Best Sellers Rank:

#2,141,356 in Books (See Top 100 in Books)

This book gives an excellent review of the artists and the lady manager Mrs. Potter Palmer. The fact Mrs. Palmer was able to create a "Women's Building" and feature women artists testifies to her status and clout. It is very well written with masses of details on the women and the art.

In "Women Building History: Public Art at the 1893 Columbian Exposition", Wanda M. Corn examines “the large group of women who founded, administered, designed, and decorated the Woman’s Building” at the 1893 Chicago World’s Fair (pg. 5). She continues, “That the 1893 Woman’s Building of 1893 is a milestone in the history of American art is reason enough for a closer examination of its entire decorative program. Not only was it the first occasion on which MacMonnies, Cassatt, and other women were able to work on a grand scale, but it was their last and only opportunity to fulfill a public commission. Furthermore, it was the only artistic event of the century in which women, in a loosely formed collective, decorated an entire hall” (pg. 9). She further argues that these images and their rhetoric “contributed to the woman’s emancipation movement at the end of the nineteenth century” (pg. 10). Corn continues, “It would fall to women artists at the Fair to wrest the female body from the male gaze and make it speak to woman’s work, intelligence, and emancipation” (pg. 10). Finally, Corn argues that women’s imaginations were “determined by the separatists activities of the sexes in Gilded Age American culture and the discourses that swirled around late nineteenth-century woman’s culture” (pg. 17). Corn draws extensively upon the work of Robert Rydell and Gail Bederman.Corn argues, “Women were highly conscious that they were speaking in a separate voice from that of their male colleagues. They produced a woman-centered history of the past and present, a brazen counternarrative to the technological story told so often by men” (pg. 20). While male artists used women as subjects in allegory, “women artists, in contrast, recognizing that classical allegory was embedded in masculinist discourses and Victorian binaries, gravitated to new ways of representing their sex in public decorations” (pg. 45). Corn further argues, “The birth of officially sanctioned woman’s buildings at American international fairs was tightly embedded in the debates that raged around women’s issues and gender equality in the last quarter of the nineteenth century. Emblematic of the waves of American women seeking a broad range of reforms benefitting their sex, such buildings were typically proposed, organized, and administered by middle- and upper-class white women” (pg. 65). Further, “The Woman’s Building of 1893 was one of the places where women of different political persuasions learned to work side by side, an important step along the arduous path the universal suffrage” (pg. 70). Corn continues, “If women were going to have a pictorial history that featured them, it would have to be invented. The women decorators would have to take the lead stories of the Fair – Progress, Evolution, Modern Civilization – and change their perspective from male to female, telling ‘her-story’ rather than ‘his-story’” (pg. 97). As an example, Corn writes, “Removing modernity from the center of women’s lives was one way in which post-Victorian artists collectively revised the earlier generation’s priorities and demonstrated a widespread desire to redefine woman’s capabilities and enlarge her sphere of activity” (pg. 99).Of the artists, Corn writes, “These artists created American girls who did not just dream of a better future but performed new ways of being female. By giving modern young women an inner self but also desires and ambitions, these muralists participated in the formation of a new female identity. They helped formulate the modern ‘American girl,’ as she was called at the time, a young woman enjoying a sustained period of growth between childhood and marriage” (pg. 122). Further, “Artists opted to picture woman’s work throughout history and to construct their story as a single-sex trajectory from past enslavement to present enlightenment. They may have painted in different styles, but they told the same story. The consistency of the historical narrative women envisioned for themselves in 1893 attests to its wide currency in American culture at large” (pg. 149). The artists “wanted to expand the meanings of ‘feminine’ and to make it embrace the clubwoman, artist, and writer, not just the daughter, wife, and mother. They wanted their sex to have more options without having to give up their feminine refinement and sophistication” (pg. 170). Corn concludes, “Progress cycles helped women see beyond the biological body that was understood in the wider culture to script their destiny” (pg. 188).

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Senin, 07 November 2011

Free PDF Plumbing Venting: Decoding Chapter 9 of the IPC, by Bob Scott

Free PDF Plumbing Venting: Decoding Chapter 9 of the IPC, by Bob Scott

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Plumbing Venting: Decoding Chapter 9 of the IPC, by Bob Scott

Plumbing Venting: Decoding Chapter 9 of the IPC, by Bob Scott


Plumbing Venting: Decoding Chapter 9 of the IPC, by Bob Scott


Free PDF Plumbing Venting: Decoding Chapter 9 of the IPC, by Bob Scott

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Plumbing Venting: Decoding Chapter 9 of the IPC, by Bob Scott

Product details

Paperback: 134 pages

Publisher: procodeclasses; 1 edition (October 7, 2014)

Language: English

ISBN-10: 0615904785

ISBN-13: 978-0615904788

Product Dimensions:

8.5 x 0.3 x 11 inches

Shipping Weight: 14.6 ounces (View shipping rates and policies)

Average Customer Review:

4.6 out of 5 stars

22 customer reviews

Amazon Best Sellers Rank:

#291,699 in Books (See Top 100 in Books)

Typically, I find that a lot of plumbing apprentices and even some skilled foremen have a hard time understanding venting. I have also noticed that new plumbing system designers will either do one of thee things: 1. They will under-vent a drainage system. 2. They will add illegal flat vents below the flood level rim of fixtures, (especially floor drains and floor sinks in commercial kitchens and mechanical rooms). or 3. They will over-vent a drainage system by venting every single fixture. For example, in a row of 8 water closets I have seen a vent placed on every single water closet. This is not only unnecessary, because it does not enhance system performance, but it is also more expensive to install. Instead of venting every single water closet, why not use a circuit vent? Don't understand circuit venting?... This book explains it in awesome detail.Bob Scott has done an excellent job of explaining plumbing venting in this book. He uses many isometric drawings to clearly show how each type of vent system works. He also uses pictures taken from actual job sites to show common mistakes, and the correct field installations. His descriptions and wording are clear and concise. You will have a much better understanding of venting after you study this book.Bottom line: If you are a plumber, plumbing designer, plans inspector, or building inspector, I would strongly recommend that you purchase this book. This is also an excellent companion to the ICC Plumbing Code Commentary. Knowledge of the craft is what separates your average plumber from a valuable and quality tradesmen. Don't hesitate, buy this book!

Well written, copious and well taken photographs/illustrations a great reference tool for the Plumbing professional and future up and coming Plumbing apprentice/tradesman! Thank you Bob Scott for taking the time in creating this very "needed" and welcomed Plumbing reference book.

great book with great illustrations to be able to show and teach other people at my job

Book is very helpful! Bob Scott taught me a lot over the years. This is the most helpful book on Plumbing venting that I have ever seen published! This book will make any plumbers life easy well written extremely well Illustrated! Myself my brother and my father are all and photographs in this book. Should be a book every Apprentice should go out and buy .

Great book, helped me a lot in with my plumbing classes. Highly recommend.

good

Excellent product and very valuable in he plumbing field, every one of our vans has this book.

Great book. Real color photos. Shows the real applications of the codes

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Sabtu, 05 November 2011

PDF Ebook You Think It, I'll Say It: Stories, by Curtis Sittenfeld

PDF Ebook You Think It, I'll Say It: Stories, by Curtis Sittenfeld

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You Think It, I'll Say It: Stories, by Curtis Sittenfeld

You Think It, I'll Say It: Stories, by Curtis Sittenfeld


You Think It, I'll Say It: Stories, by Curtis Sittenfeld


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You Think It, I'll Say It: Stories, by Curtis Sittenfeld

Amazon.com Review

An Amazon Best Book of April 2018: Curtis Sittenfeld is one sharp writer, and she gets farther, faster in these intense, compressed short stories than most novelists do in the course of a book. Her characters in You Think It, I’ll Say It are middle aged and middle class. They’re “set.” They’ve got their partners; they may have kids; they’ve got their work to do. But they’re still thinking about the past, about the mean girl who tormented them in high school (“A Regular Couple”); about that random guy they slept with, or wished they had (“The Do-Over”); about the friend they betrayed with the casual ruthlessness of youth (“Vox Clamatis In Deserto”). Each story is a reckoning with the vestiges of their former selves, though those selves may be invisible behind their successful adult personas. If you love Sittenfeld’s novels, you must read these stories. If you are new to her work, You Think It, I’ll Say It will convince you that she is one of the most versatile and insightful writers in America today. —Sarah Harrison Smith, Amazon Book Review

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“I really loved all the characters in this book. They’re so complex and interesting, and in every story, you’ll find them going through these pivotal moments in their lives.”—Reese Witherspoon (Reese’s Book Club x Hello Sunshine Book Pick) “At once psychologically acute, deftly crafted and deeply pleasurable.”—San Francisco Chronicle“Sittenfeld makes writing lively and diverting fiction look easy, though each deceptively simple and breezy story is masterfully paced and crafted. . . . Witty and buoyant, Sittenfeld delivers her characters to her audience with bemused perspicacity and above all affection. . . . Sittenfeld proves adept at quickly establishing characters in whom the reader feels inclined to invest immediately.”—Chicago Tribune   “Perfectly paced, witty and laced with unexpected twists: Every story here sticks its landing. . . . Whatever [Sittenfeld] writes, we’ll read it.”—People   “Razor-sharp, often hilarious . . . [Sittenfeld] is a sharp observer of human nature and human relationships. . . . A witty, breezy, zeitgeist-y collection.” —USA Today “Magnificent . . . brilliant . . . Sittenfeld is an astute observer.”—Houston Chronicle “Cathartic fun . . . Sittenfeld here confirms an ability to mine the casual cruelties and quiet furies of the elite for comic gold.”—O: The Oprah Magazine “Sittenfeld’s new story collection is brutally, beautifully human.”—Entertainment Weekly “Sittenfeld proves once again why she’s one of the finest observers of human nature writing today with a collection of potent pieces as funny as they are literary.”—Glamour “Empathetic imagination is one of the defining features of Sittenfeld’s fiction.”—NPR “Sharply observed and unforgettably crafted stories . . . The sheer power of Sittenfeld’s storytelling talents will leave you breathless.” —Southern Living “Deeply relatable characters interacting in deeply human ways.” —HuffPost “[Sittenfeld] brings her unflinching eye, piercing wit, and storytelling gifts to everything she does, making this collection a series of perfect gems.” —Nylon “Sittenfeld is always a treat. This collection of short stories is smart and funny and honest.”—PopSugar “Sittenfeld spins magic. Reading these consistently engrossing stories is a pleasure.” —Publishers Weekly (starred review) “Sittenfeld’s first story collection takes no prisoners . . . Brilliant.”—Library Journal (starred review) “Every bit as smart, sensitive, funny, and genuine as her phenomenally popular novels.”—Booklist (starred review)

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Product details

Hardcover: 240 pages

Publisher: Random House; 1st edition (April 24, 2018)

Language: English

ISBN-10: 0399592865

ISBN-13: 978-0399592867

Product Dimensions:

5.8 x 0.9 x 8.6 inches

Shipping Weight: 12 ounces (View shipping rates and policies)

Average Customer Review:

3.9 out of 5 stars

174 customer reviews

Amazon Best Sellers Rank:

#22,999 in Books (See Top 100 in Books)

You know when you are talking to yourself in your head and no one else is listening but you keep talking anyway? Well, that is the vibe I got when I read most of these short stories and I loved it!I normally don’t gravitate towards short stories, but something about the cover made me look into this book. After I read the first two chapters I knew I liked them, but since it wasn’t an ongoing story I felt something was holding me back. But, as I started whipping through each story within 20 – 40 minutes, I realized I craved the next. I kept asking: where is author, Curtis Sittenfeld, going to go to next?To me, the overall theme was that each character was in their own head. They were concerned with what they thought outside perceptions would expect (or sometimes outcomes they were hoping for) that they completely misread situations. Some would come to realize that, some would not.The writing was authentic and relatable. Although the stories were short they packed the necessary punch to keep you engaged. After I finished each story I would think of each character “where are they now?” The cool thing about this book is that I can create the answer to that question in my own head; since aren’t we all in our own heads…see what I did there?! Is it still funny if I must point it out? Don’t answer that.This is the first Curtis Sittenfeld book I have read and certainly not the last.

Curtis Sittenfield is a delightful satirist and assured storyteller as well as an underrated political writer. "You Think It" isn't billed as a "Trump book," nor is it, but so many of these stories show the conundrums---social, sexual, professional---of this singular political moment. I could imagine reading this again ten years from now and thinking, "Yes, that's what it was like!"In all of her books, Curtis Sittenfield does such a superb job of capturing the awkward and occasionally exhilarating dance of gender relations, and there's much of the same here, though the subject is often marriage or post-marriage. As a now-married read and longtime fan, it's been a delight to "grow up" with Curtis. I'm roughly the same age as her and read "Prep" when I was just distant enough from high school to be able to laugh at it while also remember it well. I feel lucky to have Curtis Sittenfield bringing the same gimlet-eye to early middle age, its vanities and resentments and small victories. If satire can also be cozy and comforting, this is it.

Perfectly-cut gems—they refract the light of truth, and sparkle with life. Curtis Sittenfeld definitely knows a certain swath of humanity intimately (the whiter-than-white portion), and reveals it so well I marveled and cringed simultaneously. I'd read and enjoyed "Prep", but not enough to want to read everything Sittenfeld wrote (whereas Amor Towles or Charles Bukowski or Louise Fitzhugh or Raymond Carver etc, I became obsessed with). Her style and eye work perfectly in short form.

I'm a huge CS fan, and this didn't disappoint! I had read some of these stories before (in the New Yorker), but I read again because they're that good. I don't know how she gets into the nitty gritty of life and thoughts and conversations the way she does. She's so graceful about it, but it isn't pretentious. The only hard part was rationing the stories out b/c I didn't want to finish too quickly. If you're a CS fan, absolutely read this. It's vintage her.

I usually don't read many short stories. With this being a pick for one of my Goodreads groups a while back,I decided to give this collection a chance. I have taken quite a while to finish,but it was easy to just read one story at a time then go back to books with more pressing deadlines.Each story was a gem. None turned out as I expected. I feel short stories are harder to write as so much has to be captured in less.

This book is incredible. I have been a fan of Sittenfeld since I read Prep (50 times) and then I went back and read Man of My Dreams and have since pre-ordered every book she's every written. Some of her books have disappointed me (Sisterland and Eligible) but this one was right up there with American Wife and Prep. Every single story ended too soon, I wanted more. I found things I loved and hated (but yet related to) about every character. Every short story was a page turner. I devoured this book. I highly recommend it.

Some of the stories were entertaining but all in all I didn’t care for this book. I am not a Hillary supporter and I don’t see humor in our President. Most of these stories read as though the author is suffering from resentment from early adulthood. Each story has some kind of getting even. It became boring and old. Sorry I spent the money on it.

This book is not good, the author tries to include a lot of imagery that ends up feeling like nonsense details that don’t add any real flavor to the stories. It’s also a choppy read; not a difficult one, but it’s hard to stay focused. Aside from that, the actual substance of the stories told just weren’t my cup of tea. Sometimes I can overlook sloppy writing if the story is interesting, was not the case for me

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